Les Huguenots by David Alden, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
November 15, 2016
Les Huguenots by David Alden, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
Conductor: Michele Mariotti, Direction: David Alden, Set Design: Giles Cadle, Costumes: Constance Hoffman, Dramatourgie: Jörg Königsdorf & Curt A. Rössler.
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Così fan Tutte, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
Così fan Tutte, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
Conductor: Donald Runnicles, Direction & Set Design: Robert Borgmann, Light Design: Carsten Rüger, Video Design: Lianne van de Laar , Costumes: Michael Sontag, Dramatourgie: Jörg Königsdorf.
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Souris Now, Set & Costume Designer Eleni Konstantatou | Athens & Epidaurus Festival 2016.
July 29, 2016
Souris Now by E. Veniadis, Athens & Epidaurus Festival | Set & Costume Design, Athens 2016.
Conductor, Composer, Directior: Eleftherios Veniadis, Set & Costume Design: Eleni Konstantatou, Choreographie: Patricia Apergi, Video Design: COM.ODD.OR, Production Manager: Konstantina Georgiou, Production’s Assistant: Gela Christopoulou, Production: Polyplanity.
Souris Now! © 2016, Babis Giannikakis
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Il Seraglio by Rodrigo Garcia, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
June 19, 2016
Die Entführung aus dem Serail by Rodrigo Garcia, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
Conductor: Donald Runnicles, Direction: Rodrigo Garcia, Set & Video Design: Ramon Diago, Costumes: Hussein Chalayan, Dramatourgie: Jörg Königsdorf & Anna Oppermann.
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Underline by Deville Cohen, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
Underline by Deville Cohen, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
Conductor: Hogu Morales, Direction, Set & Costume Design: Deville Cohen, Dramatourgie: Dorothea Hartmann & Robin Schulkowski – Eine Cooperation with the Münchener Biennale 2016
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Die Sache Makropoulos, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
March 02, 2016
Die Sache Makropoulos von Leos Janacek, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2016.
Conductor: Donald Runnicles, Direction: David Hermann, Set & Costume Design: Christof Hetzer, Dramatourgie: Yvonne Gebauer & Anna Oppermann.
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Aida by Verdi, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2015.
January 14, 2016
Aida by Verdi, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2015.
Conductor: Andrea Battistoni, Direction: Benedict von Peter, Set Design: Katrin Wittig, 2nd Set Design Assistant: Kerstin Bär, Costume Design: Lene Schwind, Dramatourgie: Dorothea Hartmann.
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Castrati Secus Petit Mort, Staatsballet Deutsche Oper Berlin | Assistant Set Designer, Berlin 2015.
CASTRATI Choreography by Nacho Duato, SECUS, Choreography by Ohad Naharin, PETITE MORT Choreography by Jiří Kylián, Staatsballet Deutsche Oper Berlin | Set Design Assistant, Berlin 2015.
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Vasco da Gama ”L’Africaine”, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2015.
Vasco da Gama ”L’Africaine”, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2015.
Conductor: Enrique Mazzola, Direction: Vera Nemirova Set Design: Jens Kilian, Costume Design: Marie-Therese Jensen, Choreography: Bharti Ramdhoni, Dramatourgie: Jörg Königsdorf.
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Mein Kampf Vol. 1&2 Rimini Protokoll, National Theater of Germany | Assistant Set Designer, Weimar 2015.
Concept, Direction & Text: Helgard Haug, Daniel Wetzel, Dramaturgy & Research: Sebastian Brünger
Stage & Video: Marc Jungreithmeier, Set & Video Assistant: 1st Assistant Eleni Konstantatou, 2nd Assistant Elle Oswald
Interaction Design: Grit Schuster, Music: Volkan T error, Technical Coordination & Lighting: Andreas Mihan
Director’s Assistant: Meret Kinderlen, 2nd Assistant/Trainee: Linn Günther
Sound Design / Sound Technic: Peter Breitenbach, Company Management: Heidrun Schlegel
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Sounds for a While, Tischlerei Deutsche Oper Berlin | Set Designer, Berlin 2015.
January 13, 2016
Sounds for a while, Tischlerei Deutsche Oper Berlin | Set Designer, Berlin 2015.
Direction: Hans Peter Kuhn, Set Design: Eleni Konstantatou, Costume Design: Suzanne Kohlmorgen, Dramatourgie: Sebastian Hanousa.
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Faust Margarethe by Charles Gounod, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2015.
Faust Margarethe by Charles Gounod, Deutsche Oper Berlin | Assistant Set Designer, Berlin 2015.
Conductor: Marco Amiliato, Direction: Philipp Stölzl & Mara Kurotschka, Set Design: Philipp Stölzl & Heike Vollmer, Costume Design: Ursula Kudrna , Dramatourgie: Sebastian Hanousa & Anne Oppermann.
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Tannöd, National Theater of Germany | Assistant Set Designer, Weimar 2015.
Tannöd, National Theater of Germany | Assistant Set Designer, Weimar 2015.
Direction: Otto Thoss, Set & Costume Design: Philipp Rübner, Dramatourgie: Nora Khuon.
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Wie werde ich Reich & Glücklich, National Theater of Germany | Assistant Set Designer, Weimar 2015.
Wie werde ich Reich & Glücklich, Cabaret Revue National Theater of Germany | Assistant Set Designer, Weimar 2015.
Direction: Christian Weise, Set Design: Martin Miotk, Costume Design: Andy Besuch, Dramatourgie: Martina Stütz.
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Die Räuber (I masnadieri), National Theater of Germany | Assistant Set Designer, Weimar 2015.
March 27, 2015
Die Räuber (I masnadieri) by Friedrich Schiller, National Theater of Germany | Assistant Set Designer, Weimar 2015.
Direction: Volker Lösch, Set Design: Carola Reuther, Costume Design: Cary Gayler, Dramatourgie: Julie Paucker.
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Radio Cooperativa, National Theater of Germany | Set & Costume Assistant, Weimar 2014.
November 27, 2014
Radio Cooperativa, National Theater of Germany | Set & Costume Assistant, Weimar 2014.
Text: Kevin Rittberger, Director: Jacob Fedler, Set & Costume Designer: Marc Bausback,
Dramatourgie: Nora Khuon, Musik: Laura López Castro, Lonski & Classen.
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Help! The Herdmans are Coming, National Theater of Germany | Set & Costume Design, Weimar 2013/14.
Help! The Herdmans are Coming, National Theater of Germany | Set & Costume Design, Weimar 2013/14.
Direction: Julia Hoppe, Set & Costume Design: Eleni Konstantatou, Dramatourgie: Nora Khuon.
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La Bohème by Giacomo Puccini, National Theater of Germany | Assistant Set Designer, Weimar 2014.
La Bohème by Giacomo Puccini, National Theater of Germany | Assistant Set Designer, Weimar 2014.
Conductor: Massimo Zanetti, Direction: Bettina Brunier, Set Design: Volker Thiele, Costume Design: Mareile Krettek, Dramatourgie: Martina Stutz.
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Schubladen by She She Pop, DNT Kunstfest | Video Design Assistant, Weimar 2014.
Schubladen by She She Pop, Kunstfest National Theater of Germany | Video Design Assistant, Weimar 2014.
In »Schubladen« members of She She Pop (all of whom grew up in the West) invite a number of counterparts socialized in the East to open their respective drawers, so to speak, and approachone another anew. Letters, extracts from diaries and favourite records are sorted in a loose chronological order, combined into thematic areas and read out to the respective soundtrack. Private memories are placed beside events in world history. Reunification is conceived as workon a relationship. The six women sit as couples opposite one another; a mixture of speed-dating, archival work and hen party; a polyphonic and highly subjective chronicle of east-west German history narrated live.
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Have you been here before 1 & 2 , Robert Wilson | Video Design Assistant, Weimar 2014.
October 11, 2014
1 Have you been here before & 2 No this is the first time by Robert Wilson, Kunstfest National Theater of Germany | Video Design Assistant, Weimar 2014.
In an exceptional performance, director and artist Robert Wilson invites us into his astonishing aesthetic universe. Combining hundreds of striking images from his prolific career, Wilson provides an intimate self-portrait of his creative process.
Robert Wilson references his landmark original works for the stage such as »Deafman Glance«, »A Letter for Queen Victoria«, »Einstein on the Beach« (created with composer Philip Glass), »The CIVIL warS« and »The Black Rider«, as well as his acclaimed work for the operatic and theatrical repertoire, including his luminous stagings of »Madama Butterfly«, Wagner’s »Ring Cycle«, »The Magic Flute«, Ibsen’s »PeerGynt« and Heiner Mueller’s »Quartett«.
At the conclusion of the performance, the audience is invited to explore Mr. Wilson’s ideas further during an informal question-and-answer period.
